6 edition of Textual and theatrical Shakespeare found in the catalog.
Includes bibliographical references and index.
|Statement||edited by Edward Pechter.|
|Series||Studies in theatre history and culture|
|Contributions||Pechter, Edward, 1941-|
|LC Classifications||PR3091 .T49 1996|
|The Physical Object|
|Pagination||266 p. :|
|Number of Pages||266|
|LC Control Number||95050872|
William Shakespeare (bapt. 26 April – 23 April ) was an English poet, playwright, and actor, widely regarded as the greatest writer in the English language and the world's greatest dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "the Bard"). His extant works, including collaborations, consist of some 39 plays, sonnets, two long narrative Children: Susanna Hall, Hamnet Shakespeare, . The New Oxford Shakespeare presents an entirely new consideration of all of Shakespeare's works, edited from first principles from the base-texts themselves, and drawing on the latest textual and theatrical scholarship.
ENGL / ENGL Dr. Debora B. Schwartz English Department, California Polytechnic State University. Problems with Shakespeare's Texts. Shakespeare did not himself publish any of his plays. In , seven years after Shakespeare's death, John Heminges and Henry Condell (Shakespeare's friends and members of his theater company) posthumously published thirty-six of his plays in the so . T hat Shakespeare wrote for the theatre and that his plays should be enjoyed on the stage not the page has become the standard rallying cry .
Cicely Frances Berry CBE (17 May – 15 October ) was a British theatre director and vocal coach.. Berry trained under Elsie Fogerty at the Central School of Speech and Drama, then based at the Royal Albert Hall, London. She was the voice director for the Royal Shakespeare Company from to , and worked as a voice and text coach as an instructor at London's Central School of. Elements of the text, such as the uncommonly detailed stage directions, lead some Shakespeare scholars to believe the text was prepared from a theatrical prompt book. Analysis and criticism. A. C. Bradley described this play as "built on the grand scale," like King Lear and Macbeth, but it differs from those two masterpieces in an important way.
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In Textual and Theatrical Shakespeare ten essayists answer these stimulating questions by exploring the possibilities for and the constraints upon useful communication among critics who come to Shakespeare from so many different directions. Bridging the stage-versus-page gap between actors, critics, and scholars, Author: Edward Pechter.
In Textual and Theatrical Shakespeare ten essayists answer these stimulating questions by exploring the possibilities for and the constraints upon useful communication among critics who come to Shakespeare from so many different directions.
JOHN RUSSELL BROWN is Professor of Theatre at Middlesex University, UK, and was recently Visiting Professor at Columbia University, USA. He is an internationally known theatre director and author and a Former Associate Director of the National Theatre. His many books on theatre and Shakespeare include The Oxford Illustrated History of Theatre, New Sites for Shakespeare, Shakespeare: The Format: Paperback.
Textual and theatrical Shakespeare: questions of evidence. [Edward Pechter;] -- Shakespeare commentary and performance today present us with a multiplicity of interpretations constructed and reconstructed from such diverse origins that the underlying evidence has become hidden.
STUART HAMPTON-REEVES is Course Leader for English and Theatre Studies and Subject Leader for Drama at University of Central Lancashire, UK.
He is a founder member and on the executive of the British Shakespeare Association. He is author of Shakespeare in Performance: The Henry VI Plays Format: Paperback. Shakespeare and Textual Studies gathers contributions from the leading specialists in the fields of manuscript and textual studies, book history, editing, and digital humanities to provide a comprehensive reassessment of how manuscript, print and digital practices have shaped the body of works that we now call 'Shakespeare'.
Under cover of being a rousing, straight-ahead adventure story, Shakespeare's Henry V manages to become something much more open and complex: a play whose possible Textual and theatrical Shakespeare book point in many directions, often all at once.5/5(1).
In addition to his 37 plays, Shakespeare had a hand in others, including Sir Thomas More and The Two Noble Kinsmen, and he wrote poems, including Venus and Adonis and The Rape of Lucrece.
His sonnets were published, probably without his authorization, in In or he gave up his lodgings in London. Shakespeare’s play about the doomed romance of two teenagers from feuding families is the most famous love story ever performed aroundRomeo and Juliet has been adapted as a ballet, an opera, the musical West Side Story, and a dozen Romeo and Juliet here, with side-by-side No Fear translations into modern English.
This text covers a wide range of subjects surrounding Theatre- acting, directing, design, and then Shakespeare, World Theatre, and Musical Theatre. It is a mix of Intro textbook and Theatre History textbook/5(20).
William Shakespeare - William Shakespeare - Shakespeare’s sources: With a few exceptions, Shakespeare did not invent the plots of his plays. Sometimes he used old stories (Hamlet, Pericles). Sometimes he worked from the stories of comparatively recent Italian writers, such as Giovanni Boccaccio—using both well-known stories (Romeo and Juliet, Much Ado About Nothing) and little.
Combining theater history, textual studies, and literary theory, Owning William Shakespeare rethinks both the way Shakespeare's plays were created and the way they came to be known as his.
It overturns a century of scholarship aimed at re-creating the playwright's lost manuscripts, focusing instead on the way the plays continued to live and grow onstage. Oxford Shakespeare Topics. The only currently available introductory survey of the foundations of the text of Shakespeare, this book examines Shakespeare's writing in the environment of the theatre, and the printing of the earliest surviving texts.
It goes on to review the ways in which the origin and production of these texts have been understood by. The English writer Francis Meres, indeclared him to be England’s greatest writer in comedy and tragedy. Writer and poet John Weever lauded “honey-tongued Shakespeare.” Ben Jonson, Shakespeare’s contemporary and a literary critic in his own right, granted that Shakespeare had no rival in the writing of comedy.
An indespensable companion to The Norton Shakespeare, Based on the Oxford Edition, this is the most comprehensive reference work on Shakespearean textual problems ever compiled in a single volume.
William Shakespeare: A Textual Companion provides a wealth of information about the problems presented by texts and the processes by which editorial decisions are reached. Shakespeare's Clown: Actor and Text in the Elizabethan Playhouse.
This book argues that a professional Elizabethan theatre company always contained one actor known as 'the clown'. Its focus is Will Kemp, clown to the Chamberlain's Men from to and famed for. JSTOR Understanding Shakespeare is a collaborative project between JSTOR Labs and the Folger Shakespeare Library.
It’s a research tool that allows students, educators and scholars to use the text of Shakespeare’s plays to quickly navigate into the scholarship written about them—line by : Patricia Herron. First Folio, first published edition () of the collected works of William Shakespeare, originally published as Mr.
William Shakespeares Comedies, Histories & Tragedies. It is the major source for contemporary texts of his plays.
The publication of drama in the early 17th century was usually. Romeo and Juliet is a tragedy, written by William Shakespeare early in his career, about two young star-crossed lovers, whose deaths ultimately reconcile their feuding families.
It was among Shakespeare's most popular plays, during his lifetime, and along with Hamlet, is /5(K). SHAKESPEAREAN VERSE SPEAKING: TEXT AND THEATRE PRACTICE Using evidence from theatrical handbooks, performance practice and drama training, Abigail Rokison provides a new synthesis of academic and theatrical approaches to the Shakespearean text.
Her work com-bines scholarship with practical exploration in the rehearsal room. In. Books shelved as theatre-history: Towards a Poor Theatre by Jerzy Grotowski, History of the Theatre by Oscar Gross Brockett, The Year of Lear: Shakespear.Shakespeare's company, the Lord Chamberlain's Men, was one of several to perform at the Theatre, appearing there by about A few years later, the Burbages lost their lease on the Theatre site and began construction of a new, larger playhouse, the Globe, just south of the Thames.The Guinness Book of Records lists feature-length film and TV versions of William Shakespeare ' s plays, making Shakespeare the most filmed author ever in any language.
As of Julythe Internet Movie Database lists Shakespeare as having writing credit on 1, films, including those under production but not yet released. The earliest known production is King John from